How Should We Remember? - Lesson plan | Facing History & Ourselves
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Lesson

How Should We Remember?

Students both respond to and design Holocaust memorials as they consider the impact that memorials and monuments have on the way we think about history.

Duration

One 50-min class period

Subject

  • History
  • Social Studies

Grade

6–12

Language

English — US

Published

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About This Lesson

The previous lesson began the “Judgment, Memory, and Legacy” stage of the Facing History scope and sequence by helping students wrestle with dilemmas of justice after the Holocaust. This lesson continues that stage of the scope and sequence by helping students think deeply about the impact of memory and history on the present day. In particular, this lesson engages students in the processes of both responding to and creating memorials to the Holocaust. By doing so, they are forced to grapple with key questions about why history is important and how our memory of history is shaped and influenced. Students will begin by learning about several Holocaust memorials around the world and analyzing the choices that artists and communities made when creating them. Then they will design, plan, and create their own memorial to represent an idea, event, or person they believe is important to remember from the history of the Holocaust.

Essential Questions

Unit Essential Question: What does learning about the choices people made during the Weimar Republic, the rise of the Nazi Party, and the Holocaust teach us about the power and impact of our choices today?

Guiding Questions

  • How should we remember the past? What impact do memorials and monuments have on the way we think about history?
  • What parts of the history of the Holocaust are most important for us to remember today? How can we ensure that this history is not forgotten?

Learning Objectives

  • Students will analyze several examples of Holocaust memorials to see how the communities and individuals that designed them sought to shape future generations’ understanding of this history.
  • By designing their own memorials, students will become familiar with the many choices artists and communities make in their commemorations about what aspects of a particular history are worth remembering and what parts are intentionally left out.

Teaching Notes

Before teaching this unit, please review the following information to help guide your preparation process.

The images in this lesson are taken from the visual essay Holocaust Memorials and Monuments in Holocaust and Human Behavior. The introduction to the visual essay provides an in-depth discussion of the relationship of memorials to history and public memory, as well as the variety of roles memorials can serve in a community or country. We recommend that you read this introduction in preparation to teach this lesson in order to help you answer questions that may arise and guide students to a deeper level of understanding of the power of memory. You might also decide to share some of this introduction with your students.

The last activity in this lesson provides students with the opportunity to plan their own Holocaust memorial. This is a task that may warrant more time for reflection than is available in the class period. Consider assigning this activity for homework. You might even give students multiple nights to complete and submit the Creating a Memorial handout so that they have time to develop their ideas more thoroughly.

Also consider devoting an extra class period to this lesson, if possible. Doing so will give students time to workshop their ideas for memorials with each other, as well as time to sketch or build models of their ideas using clay, construction paper, or other materials you are able to provide.

The last activity in this lesson requires students to plan their own memorials related to the Holocaust, and many teachers also ask students to build a physical model of the memorial they have conceptualized. In addition to the examples of existing, real-world memorials and monuments students will analyze in this lesson, it may be helpful to provide students with examples of memorials designed and created using the instructions provided in this lesson. In other words, consider sharing with students one or two examples of memorials that students from past years created, or a memorial you created yourself. These examples can help inspire students’ creativity and set standards for the quality and depth of thought you are expecting.

The following are key vocabulary terms used in this lesson:

  • Memorial
  • Monument
  • Commemoration

Add these words to your Word Wall, if you are using one for this unit, and provide necessary support to help students learn these words as you teach the lesson.

Lesson Plan

Activity 1: Define the Purpose of Memorials and Monuments

Begin by asking students to take a few moments to describe in their journals one or more monuments or memorials that they are familiar with. Perhaps it is one in their neighborhood that they pass every day, or one they have seen elsewhere in the city, country, or world that they found memorable. Have them describe both what it looks like and what they think its purpose is. What do they think the designer of the monument wanted people to think, remember, or feel?

After writing, give students a few moments to share their examples with one or more classmates, and then lead a short whole-group discussion in response to the question: Why do people build monuments and memorials? What purposes do they serve? Record students’ ideas on the board.

Activity 2: Introduce Choices Reflected in Holocaust Memorials and Monuments

Continue the whole-group discussion about memorials and monuments by reading the following paragraph to students:

Across Europe, and even around the globe, people have built memorials to commemorate the Holocaust. Each tries to preserve the collective memory of the generation that built the memorial and to shape the memories of generations to come. Memorials raise complex questions about which history we choose to remember. If a memorial cannot tell the whole story, then what part of the story, or whose story, does it tell? Whose memories, whose point of view, and whose values and perspectives will be represented?

Ask students to write down their thoughts in their journals in response to the following question: What do you think the author means when she says that memorials “cannot tell the whole story”?

Ask a few students to share their thoughts in a brief, informal whole-group discussion. You might ask students to think again about the memorial or monument they wrote about at the beginning of class. What parts of the story might it leave out?

Activity 3: Analyze Examples of Holocaust Memorials and Monuments

The class will now use the Jigsaw teaching strategy to analyze a variety of Holocaust memorials. Divide the class into six groups and assign each group one of the following images:

  1. Warsaw Ghetto Uprising Memorial
  2. Aschrott Fountain
  3. Stolpersteine
  4. Memorial to Roma and Sinti Victims of National Socialism
  5. Holocaust Memorial Miami Beach
  6. Shoes on the Danube Bank Memorial

Students can analyze these Holocaust memorials and monuments using the Jigsaw strategy. First, divide the class into “expert” groups of three to four students; each group will analyze one handout that shows one memorial or monument. Depending on the size of your class, you may have more than one group working with a particular memorial. In their journals, have each group answer the following questions, using what they observe in the image and the information in the caption, if necessary:

  1. Who is the intended audience for the memorial?
  2. What, specifically, is the memorial representing or commemorating?
  3. What story or message do you think the artist was trying to convey to the intended audience? What might the memorial be leaving out?
  4. How does the memorial convey its intended story or message? What materials did the artist use? What might the audience’s experience be like when they visit the memorial?

Once the “expert” groups have completed their work, students will reorganize themselves into “teaching” groups, with three students in each group. The members of each “teaching” group should have analyzed a different voice in their “expert” groups. Each “teaching” group also has two tasks:

  1. Share their “expert” group’s work (the answers to the above questions).
  2. Discuss the following questions with the group: What similarities and differences do you notice between the memorials/monuments? What do you think accounts for these similarities and/or differences?

Complete the activity by asking members of each “teaching” group to report to the whole class the takeaways from their discussions.

Activity 4: Plan Your Own Holocaust Memorial

Conclude the lesson by asking students to submit a written plan for their own Holocaust memorial (see the Extensions section for an activity that involves creating a visual representation). Pass out the handout Creating a Memorial. Ask students to complete the questions individually and then follow the instructions at the end of the handout to create a simple sketch of their memorial, give it a title, and write an artist’s statement.

Assessment

  • Assess students’ understanding of the ideas in this lesson by observing the depth of their thinking in their oral participation and written responses in the Jigsaw activity.

Students’ work on the Creating a Memorial handout can also provide evidence of their understanding of the role and meaning of memorials and monuments. Look at the choices they make in planning their own monument, as well as their explanations of those choices and how well they connect to themes, events, and individuals in the history they studied in this unit.

Extension Activities

  • While the Creating a Memorial handout directs students to create a visual representation of the memorials they have planned, many teachers take the activity a step further by giving students the opportunity to actually build something (usually on a smaller scale than their plan may call for). This can be accomplished at school by devoting additional class time to the project and providing a selection of materials and supplies (such as modeling clay or construction paper) for students to work with. The intent is not to judge students’ skills as artists and craftspeople but to give them an opportunity to make their thinking visible with a tangible product. Remind students that even simple shapes, arranged thoughtfully, can communicate powerful ideas, and that the title and artist’s statement that accompany the model of their monument will help explain to classmates and teachers their intent and overall vision. 
  • After students have completed their models, consider giving them the opportunity to share their memorials with their classmates and other audiences in the school. You can give each student a few minutes to present their memorial to the class, or students can set up an exhibit in the classroom or another public space in the school to showcase their memorials.

Memorials and monuments, and the way they relate to the public memory of history, have often been controversial. In the United States, persistent debates have intensified in recent years about the how the Civil War and the related history of racial injustice is represented (or omitted) in the memorials and monuments that occupy public spaces. The lesson After Charlottesville: Contested History and the Fight Against Bigotry can help you introduce to your students some of the debates over symbols of the past in the United States. You might also share with students the readings Acknowledging the Past to Shape the Present and Creating a New Narrative.

All of these resources can help you address the following questions with your students:

  1. What role does history play in a healthy democracy? Is it necessary to acknowledge past injustices to achieve a more just and equitable society?
  2. No matter where you live, your community has a history. Is any part of your community’s history unacknowledged or forgotten today? How might you discover and explore such histories? Could awareness of the past change your understanding of the place you call home?

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