Resource Library
Find compelling classroom resources, learn new teaching methods, meet standards, and make a difference in the lives of your students.
We are grateful to The Hammer Family Foundation for supporting the development of our on-demand learning and teaching resources.
Introducing Our US History Curriculum Collection
Draw from this flexible curriculum collection as you plan any middle or high school US history course. Featuring units, C3-style inquiries, and case studies, the collection will help you explore themes of democracy and freedom with your students throughout the year.
La Commission de vérité et de réconciliation du Canada
Joe George, Survivant des pensionnats et membre de la Première nation Tselei-Waututh (à droite) et l’aînée Marie George s’embrassent en 2013 lors d’un événement de la Commission de vérité et de réconciliation du Canada.
Activists C. P. Ellis and Ann Atwater
C. P. Ellis, a former Ku Klux Klan member, and Ann Atwater, a community activist, formed an unlikely partnership after being assigned as co-leaders of a group of citizens navigating court-ordered school desegregation in Durham, North Carolina, in the 1970s.
Kahnawà:ke Pow Wow
The Mohawk nation of Kahnawà:ke holds an annual pow wow on the south shore of the St. Lawrence River in Quebec each July. Pow wows are open to all and celebrate the traditional dances, songs, and crafts of Indigenous cultures.
Pow-Wow Kahnawàke
La Nation Mohawk de Kahnawàke, au Québec, organise au mois de juillet un pow-wow annuel sur la rive sud du fleuve Saint-Laurent. Les pow-wow sont ouverts au public et on y célèbre les danses, les chansons et l’artisanat traditionnels des Peuples Autochtones.
LA Mural Commemorating the Armenian Genocide
Artist Arutyun Gozukuchikyan, who goes by the name ArtViaArt, painted this mural in 2015 in Los Angeles's Little Armenia neighborhood to foster public awareness of the Armenian Genocide.
Métis Dancer
Métis dancer Jeanette Kotowich from the Cree Metis nation during a performance from the Coastal First Nations Dance Festival at the Museum of Anthropology in Vancouver.
Danseur Métis
La danseuse métisse Jeanette Kotowich de la nation métisse crie lors d'un spectacle du Coastal First Nations Dance Festival au Musée d'anthropologie de Vancouver.
Rohingya Refugees Arriving by Boat, 2017
Refugees arrive on the Bangladesh side of the Naf River on October 1, 2017, after fleeing their village in Myanmar.
Refugiados Rohinyá llegan en Embarcaciones, 2017
Refugiados llegan al territorio de Bangladés cruzando el río Naf el 1 de octubre de 2017, después de huir de su aldea en Birmania.
Glenn Ligon, Untitled - Four Etchings [A]
In this white on black etching, Glenn Ligon repeats "I do not always feel colored," a phrase from Zora Neale Hurston's essay "How It Feels to Be Colored Me."
Glenn Ligon, Untitled - Four Etchings [B]
This black-on-white etching quotes Zora Neale Hurston's essay "How It Feels to be Colored Me."
Glenn Ligon, Untitled - Four Etchings [C]
In this black-on-black etching, Glenn Ligon uses Ralph Ellison's quote from the prologue of his novel, Invisible Man (1952): "I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus side-shows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only themselves, or figments of their imagina-"