Explore All Resources
Take part in our learning community by exploring our wide array of resources. From compelling curriculum, to easy-to-apply teaching strategies, and engaging professional development events, we offer everything you need to transform the classroom experience.
Facing History’s unique approach combines adaptable teaching materials, professional learning, and ongoing support to equip teachers with the tools and practices they need to help students fully engage in their learning. Our continuously growing collection of resources are designed to promote academic rigor, social-emotional learning, and create connections between the complexities of history and today.
![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
Get Full Access to Facing History’s Resources
If you don’t have an account, you can sign up – it’s fast, easy, and free – to get full access to our dynamic library of free content and materials.
LA Mural Commemorating the Armenian Genocide
Artist Arutyun Gozukuchikyan, who goes by the name ArtViaArt, painted this mural in 2015 in Los Angeles's Little Armenia neighborhood to foster public awareness of the Armenian Genocide.
![A mural features an elderly woman with a piece of tape over her mouth with "1915" written on it.](/sites/default/files/styles/dynamic_stack_296_1x/public/2023-06/Armenian_Genocide_mural_card.jpg?h=707772c7&itok=teSTLdve)
Métis Dancer
Métis dancer Jeanette Kotowich from the Cree Metis nation during a performance from the Coastal First Nations Dance Festival at the Museum of Anthropology in Vancouver.
![A woman in a blue dress with a colorful waist-sash is dancing for a group of children.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/MetisDancer_FH24265.jpg?h=33252b2e&itok=ON1y5HiC)
Danseur Métis
La danseuse métisse Jeanette Kotowich de la nation métisse crie lors d'un spectacle du Coastal First Nations Dance Festival au Musée d'anthropologie de Vancouver.
![A woman in a blue dress with a colorful waist-sash is dancing for a group of children.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/MetisDancer_FH24265.jpg?h=33252b2e&itok=ON1y5HiC)
The Artist and His Mother by Arshile Gorky
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
The Artist and His Mother by Arshile Gorky (en español)
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career. This resource is in Spanish.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
Tableau peint par George Catlin, 1832
Portrait peint d'un homme des Premières Nations en tenue traditionnelle.
![Painted portrait of a First Nation man in traditional attire.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/22_Catlin.jpg?h=ce934c5c&itok=dFptIN--)
Indigenous Canadian Woman on a Reserve
A portrait of an indigenous Canadian woman on a reserve, 1930.
![A woman stands in front of a small, run down wooden house.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Culture%26Identity_2015_Canadianwomanonreserve_FH24273.jpg?h=31c0c765&itok=QKtuMsIw)
Femme autochtone canadienne dans une réserve
Sur cette photographie se trouve une femme autochtone canadienne dans une réserve, 1930.
![A woman stands in front of a small, run down wooden house.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Culture%26Identity_2015_Canadianwomanonreserve_FH24273.jpg?h=31c0c765&itok=QKtuMsIw)
Portrait de Thomas Moore
Ici, il s’agit de photographies « avant et après » mises en scène et prises par des représentants du gouvernement.
![On the right is a boy with long hair wearing traditional Indigenous attire. On the left is the same boy with short hair wearing a suit.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Culture%26HumanRights_1901_Thomas_Moore_Combined_FH2169366.png?h=419a4fb0&itok=o12xnX4W)