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![Students in library working on computers](/sites/default/files/styles/scale_480/public/2022-06/NewEngliand_Classroom_2017_FH256215.jpg?itok=p4JAMIWN)
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Métis Dancer
Métis dancer Jeanette Kotowich from the Cree Metis nation during a performance from the Coastal First Nations Dance Festival at the Museum of Anthropology in Vancouver.
![A woman in a blue dress with a colorful waist-sash is dancing for a group of children.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/MetisDancer_FH24265.jpg?h=33252b2e&itok=ON1y5HiC)
Rohingya Refugees Arriving by Boat, 2017
Refugees arrive on the Bangladesh side of the Naf River on October 1, 2017, after fleeing their village in Myanmar.
![A woman and a baby are helped off a boat.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/2017_RohingyaRefugeesArrivingbyBoat_FH261964.jpg?h=eb24755d&itok=pei1Gszb)
The Artist and His Mother by Arshile Gorky
This image, which is on the cover of Facing History's publication Crimes Against Humanity and Civilization: The Genocide of the Armenians was painted by the artist Arshile Gorky. It is based on a photograph of Gorky and his mother, Sushan der Marderosian, taken in 1912. Although Gorky is generally identified as an American artist, he was born Vosdanig Adoian near the city of Van in what was then the Ottoman Empire. A few years after the photograph was taken, Gorky and his mother were victims of the Armenian Genocide. While he survived, Gorky remembers his mother dying in his arms. As an artist Gorky returned to the subject of the 1912 photograph many times throughout his career.
![Painting of artist Arshile Gorky and his mother.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-09/GenocideOfTheArmeniansArshileGorky.jpeg?h=83a548ea&itok=vPFn3ux0)
Indigenous Canadian Woman on a Reserve
A portrait of an indigenous Canadian woman on a reserve, 1930.
![A woman stands in front of a small, run down wooden house.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-06/Culture%26Identity_2015_Canadianwomanonreserve_FH24273.jpg?h=31c0c765&itok=QKtuMsIw)
Sewing Class at Shubenacadie Indian Residential School
Mi’kmaq girls are in a sewing class at Shubenacadie Indian Residential School in Nova Scotia in 1929.
![Children in a classroom with a sewing machine on a table. A nun stands in the back of the classroom. Taken circa 1929.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Culture%26HumanRights_1929_Mi%27kmaqGirls_FH24277.png?h=844b9453&itok=krOusKdJ)
Students at Fort Simpson Residential School
Students at the Fort Simpson School in the Northwest Territories in 1922 hold up letters that spell “Goodbye.”
![Young boys in top hats and girls in dresses are standing in a line, each holding up a letter.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-05/Culture_2022_FortSimpsonResidentialSchool_FH24276.png?h=89357a44&itok=wOAtV0Wg)
Sun Dance Ceremony
The annual Sun Dance ceremony at the Blood Indian Reserve, near Cardston, Alberta.
![Two men wearing feathered and beaded headwear and clothing celebrate the sundance.](/sites/default/files/styles/dynamic_stack_296_1x/public/2022-07/1953_SunDanceCeremony_FH24267.png?h=1efa62dd&itok=EEYQ5zCt)