Reading 18

We May Not Have Another Chance

Sonia Weitz was a young teenager in Poland when, in 1941, she and her family were forced to enter the Kraków ghetto. Her mother was taken from the ghetto and sent to the Belzec death camp, where she was killed. In 1943, Sonia, her older sister Blanca, and their father were sent to Płaszów, a slave labor camp south of Kraków. 

During this time, Weitz kept a diary and wrote poetry. After the Holocaust, she continued to write as a way to cope with her emotions in the aftermath of the intense trauma she had experienced. In her book I Promised I Would Tell, she writes: 

Although men and women lived in separate parts of the camp, the two groups did manage to have contact with each other. For example, on one occasion I was sent to the ghetto with a cleanup detail. While there I found a jacket, a precious warm jacket. I smuggled it back to Płaszów to my father. It was comforting to think that the jacket would keep him warm that winter. On another day, I sneaked into my father’s barracks on the other side of the barbed wire fence. While I was there, I met a boy who was about my age—14 or 15. The boy was playing a harmonica, an offense punishable by death. My father and I listened to the music, and my father said to me, “You and I never had a chance to dance together” . . . and so we danced. It is such a precious image, a bizarre and beautiful gift.1

She also wrote a poem about this moment, which she called “Victory”:

I danced with you that one time only. 
How sad you were, how tired, lonely . . . 
You knew that they would “take” you soon . . .
So when your bunk-mate played a tune 
You whispered: “little one, let us dance, 
We may not have another chance.” 

To grasp this moment . . . sense the mood; 
Your arms around me felt so good 
The ugly barracks disappeared 
There was no hunger . . . and no fear. 
Oh what a sight, just you and I, 
My lovely father (once big and strong) 
And me, a child . . . condemned to die.

I thought: how long 
     before the song 
          must end 

There are no tools 
     to measure love 
          and only fools 

Would fail 
     to scale 
          your victory. 2

Weitz and her sister were separated from their father soon after this moment. In December 1944, the two sisters were transferred to Auschwitz. They would never see their father again. The sisters were forced to march across Poland from Auschwitz to Bergen-Belsen, a concentration camp in Germany. They were later transferred to two other camps and at last liberated from Mauthausen, in Austria, in May 1945 by US troops.


  • 1 : Sonia Schreiber Weitz, I Promised I Would Tell (Brookline, MA: Facing History and Ourselves, Inc., 2012), 35.
  • 2 : Sonia Schreiber Weitz, I Promised I Would Tell (Brookline, MA: Facing History and Ourselves, Inc., 2012), 36.

Connection Questions

  1. Why do you think Sonia Weitz titled her poem “Victory”?
  2. How does reading the words of a Holocaust survivor add to your understanding of this history?
  3. How can writing help people to process emotions and trauma?

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Take This Giant Leap

Begin your study of the Holocaust with a poem by Holocaust survivor Sonia Weitz (Spanish available).

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Sonia Schreiber Weitz recalls her childhood experiences during the Holocaust and explains why she has chosen to “bear witness” through writing poetry.

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I Promised I Would Tell

Survivor Sonia Schreiber Weitz bears witness to the Holocaust through poetry and testimony in this powerful memoir.

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