Darfur Now Lesson Four: The Messages of Darfur Now
In the forward to Not on Our Watch, Nobel Prize winning author and Holocaust survivor Elie Wiesel writes:
I am a Jew who remembers when my people in German-occupied Europe were condemned to isolation, hunger, humiliation, unspeakable terror, and death. Until almost the end of the war, nobody came to our rescue. . . . For the sake of our humanity, SAVE DARFUR!
Wiesel's personal connection to the plight of the people of Darfur is easy to trace: As a survivor of the worst genocide of the twentieth century, Wiesel understands what it means to be persecuted because of one's membership in a particular group. As a captive who watched innocent people die in concentration camps while the world did nothing, he recognizes the urgency of the situation in Darfur. Every day that the genocide continues is another day of lives lost. As an antigenocide activist himself, Wiesel can also relate to the commitment and the frustration of the individuals profiled in Darfur Now.
Although most students may not draw such a direct connection between their experiences and those of the activists in Darfur Now or the people of Darfur, they can connect to specific motivations, values, feelings, and ideas expressed by individuals in the film. For example, students may be motivated to take action because of an event from their family's history, just as Adam Sterling's activism is inspired in part by his family's experience during the Holocaust. Or students may be driven by a similar passion for justice that fuels the work of Luis Moreno-Ocampo. Lesson four is designed to help students find these connections between their beliefs and experiences and the material presented in Darfur Now. Identifying these connections can help students gain a deeper understanding of themselves and the role they hope to play in their community and in the larger society.
Students begin lesson four by participating in a warm-up activity that asks them to compare the factors that motivated the activists in Darfur Now to the factors that have inspired their own "above and beyond" actions. Students will continue drawing connections between their experiences and the material in Darfur Now through a silent conversation activity called "Big Paper." The class discussion that emerges out of the Big Paper activity might focus on the choices students make as members of a school, community, and larger world. Students will discuss how their own skills, qualities, and talents can be used to make a positive difference in their own communities and the world at large. Throughout this lesson students will consider what psychologist Helen Fein refers to as our "universe of obligation." She defines this term as the circle of individuals and groups "towards whom obligations are owed, to whom rules apply, and whose injuries call for [amends]."[1] How we prioritize our obligations to others has significant implications for larger society, and can have life-or-death consequences-as illustrated historically, as during the Armenian Genocide and the Holocaust, and today, in places like Darfur. Thinking about how the activists in Darfur Now have defined their universe of obligation can encourage students to answer the question, "Who is included in my universe of obligation?"
One of the key messages of Darfur Now and Not on Our Watch is that as members of the global community we all have some level of responsibility to affect the situation in Darfur, and that it is possible for each of us, in large and small ways, to act on this responsibility (e.g., by pressuring our elected representatives, by being informed, by joining an organization, etc.). Students may also glean a different message from the material in this unit-one that connects to their own experiences and beliefs. At the end of this lesson, students will create "found poems." This activity allows students to draw from the material they explored in this unit in order to express their own ideas about themes such as social responsibility, activism, justice, and violence prevention.
The purpose of this lesson is to help students:
- Compare the motivations of Darfur Now activists to their own motivations for action.
- Identify how the ideas represented in Darfur Now connect to the choices they make in their own lives.
- Synthesize and express their understanding of themes presented in Darfur Now.
- Large sheets of paper
- Tape
- Suggested quotations for Big Paper activity
- Handout 14: Writing a Found Poem
Warm up
- Begin by asking students to respond to the following prompt in their journals: Based on what you know about all six activists, what do you think motivated them to do their work? Encourage students to review their work from lesson three, such as the activist posters and their presentation notes, when answering this question.
- Once students have finished writing, have them pair up to talk about the motivations they recognized in the activists. Instruct each pair to come up with one or two words that describe what inspired, motivated, and/or sustained the actions of the individuals profiled in the film. As pairs present their words, record the list on a large sheet of paper. (This is similar to the exercise students completed at the beginning of lesson one.)
- Post this list next to the list that students made at the beginning of the lessons. Facilitate a brief discussion focused on a comparison of these lists. Prompts for this discussion include: What strikes you about the lists? What can you learn from identifying the motivations of activists?
Main
Activity
The Big Paper activity described
below provides a structured way for students to respond personally to ideas
expressed in Darfur Now. When
transitioning to this activity, explain to students that the purpose of this
lesson is to help them to consider how the ideas presented in the film Darfur Now connect to the choices they
make in their own lives. You might refer to a particular moment from the
warm-up activity conversation to illustrate how studying the lives of others,
in this case the Darfur Now activists,
can help us think about our own actions.
Big Paper Directions
Step One: Importance of silence
Before beginning this activity, clarify that during the first two
parts of this process there is to be absolute silence. All communication is
done in writing. Students will have time to speak in small groups and with the
whole class later. To minimize the chance that students will interrupt the silence
once the Big Paper activity begins, be sure to answer any questions about the
directions prior to step two. To help students keep track of the directions, we
also suggest writing the five steps of the Big Paper activity on the board.
Step Two:
Response to quotation
Each small group (two to four students) receives a large sheet of
paper with a quotation written in the center of the page. (Alternatively you
can print out the quotations and tape them to the middle of the paper.)
Quotations might come from students' posters from lesson three, from the list
of suggested quotations included with this lesson, or from other Darfur Now materials (e.g., excerpts
from the film transcript or from Not on Our
Watch). Ask students to respond to the quotation by silently writing
questions or comments on the paper. Then students respond to each other's
questions or comments, also in writing. We suggest giving students at least 10
minutes for this step, as it often takes students a few minutes for the written
conversation to develop.
Since the purpose of this lesson is to help students connect the material from Darfur Now to their own lives, you might want to direct students to address how the quotation makes them think about their own behavior and choices. Some prompts to direct students' thinking include: How do the ideas in these quotations relate to your own choices and behavior in your school and in your community? How do the ideas in these quotations shape your understanding of your role in local events? Global events?
Step Three:
Written conversations
Still working in silence, students leave their small groups and
walk around reading the other big papers. They should bring their pens with
them so that they can write comments or questions on other big papers.
Step Four:
Silence is broken
Returning to their own big paper, small groups now read comments
written by other students in the class. Then they can have an oral conversation
about the text, their own ideas, what they read on other papers, and comments
their peers wrote back to them.
Step Five:
Class discussion
Begin a general discussion about themes and ideas noted on the big
papers.
Follow-through
Students can begin creating a found poem to synthesize their understanding of the
material in this unit. The handout "Writing a found poem" has been designed to take
students through the following steps:
- First, ask students to review the texts posted around the room, including the big papers, the list of motivations, and the posters from lesson three. As they study these texts, they should record any language that they find particularly moving or thought-provoking. To provide more structure, you might require students to write at least 20 words, phrases, or quotations on their list. In addition, you might direct students to review other written materials from this unit (such as homework assignments, journal entries, or film notes) to find ideas to add to their list.
- Instruct students to write a poem drawing from the list of words and phrases they have just recorded. The poem should express a message related to a theme from this unit, such as genocide, violence prevention, or activism. Remind students that, except for prepositions and articles, their poems should only consist of words found in texts from this unit. Students do not have to use all of the words on their list. As they construct their poems, students might need to return to particular texts to find additional language to express their message or theme.
- Finally, give students the opportunity to share their poems with the rest of the class.
Possible homework assignments
To
accompany their found poem, you can ask students to write an "artist's
statement." In the artist's statement, students explain the message of their
poem and how the words they chose express that message. Students can also
reveal some of the difficult artistic choices they encountered while writing
the poem, we well as any personal connections to the ideas in the poem.
Suggested quotations
for use with the Big Paper activity
In
addition to the quotations students selected during lesson three, you can use
any of these quotations as prompts for the Big Paper activity.
Most
people, we care about our family, our neighborhood. We cannot care about the
world.
- Pablo
Recalde
And then
you start feeling like, well, I wouldn't want horsemen riding down on me and
killing my children, and maybe their plight is in some way tied into my plight,
or their journey is in some way tied into my journey on this planet.
- Don
Cheadle
Those
people who go to school and get an education are the ones who will solve the
problem. But fighting with guns, that will not solve it. Even in a hundred
years.
- Hejewa
Adam
As we sit
here today, we are all complicit in the genocide. Indifference is complicity.
- Adam
Sterling
The world
will stand witness as you describe what happened to you.
- Sheikh Ahmed
Mohammed Abakar
It's a
bureaucracy committing the crimes. For them, the killing civilians, okay it's
bad but when you drop a bomb, some people die. It's not a crime, it's just a
counterinsurgency operation . . . to win the battle. That's it. That's why we
need the law.
- Luis
Moreno-Ocampo
I am a
Jew who remembers when my people in German-occupied Europe were condemned to
isolation, hunger, humiliation, unspeakable terror, and death. Until almost the
end of the war, nobody came to our rescue. . . . For the sake of our humanity,
SAVE DARFUR!
- Elie
Wiesel
If women children and old people were to be
murdered one hundred miles from here, wouldn't you run to help? Then why do you
stop this decision of you heart when the distance is three thousand miles
instead of one hundred miles?
- Raphael Lemkin (creator of the word
"genocide")
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Footnote
[1] Helen Fein, Accounting for Genocide, (Free Press, 1979), 4.


